February 23, 2009
The Rise & Fall of Muzak/DMX
Looks like Ted Nugent finally got his wish. Not the one where we all run around shirtless and kill deer, but rather the one where cheesy string arrangements of Twisted Sister are vanquished forever from elevators. In 1989, Nugent publicly bid $10M to buy the famous provider of 'environmental' music for the sole purpose of shutting it down. Well, it's your lucky day, Ted. On Feb 3rd, Muzak filed for Chapter 11 bankruptcy protection.We assume this will likely affect rival DMX, which announced almost 2 years ago they would merge with Muzak. With ASCAP, BMI, Warner Music & EMI topping the list of creditors, it's hard to imagine Muzak/DMX salvaging the relationships necessary to grow the business.
Meanwhile, we just keep chugging along with more and more volumes of royalty free audio like On Hold Compilation Vol. 10 (#RFM1674 ) . Our music is current, cool, ideal for retail/on hold usage and requires no ongoing fees. Download royalty free music from our website via subscription, single track purchases or pre-made albums and start using it today!
-Mike Bielenberg
February 10, 2009
Eulogy for Smooth Jazz
There will always be a disconnect between the direction in which musicians want to evolve vs. the music audiences wish to hear. I once attended a Chuck Mangione concert at Atlanta's Chastain Park where the band's sublime 2 hour performance of classic jazz instrumentals was relegated to background music by an audience far more entertained by Chastain's wine-cheese-and-good-friends vibe - until, of course Mangione performed his 1978 smash hit Feels So Good . Before they closed the show with the song, Chuck angrily muttered into the mic, 'Thanks to you people, this song put my daughter through college.'With more smooth jazz stations closing everyday (WQCD in New York, WJZZ in Atlanta, WLVE in Miami and many more) I mourn the loss of what seemed like the best marriage of cultural needs and musical chops since David Lee Roth drank his first whiskey shot with Eddie Van Halen. Like 80's glam rock, smooth jazz has been a great way for musical virtuosity to hide in plain sight.
Behind all the Muzak steaminess of Joe Sample's Seven Years of Good Luck (1989) is an L.A. studio musician who's recorded with the likes of Miles Davis, Joni Mitchell, B.B. King, and Marvin Gaye.
Behind the polished, predictability of saxophonist Eric Marienthal's Blue Water (2007) is a Berklee grad who's encyclopedic mastery of the bebop language is featured on 2 Grammy-winning recordings by jazz legend Chick Corea ( To the Stars -2004 and GRP Super Live In Concert -1990).
For RoyaltyFreeMusic.com subscribers who wish to download stock music and keep smooth jazz alive on telephones lines everywhere, I recommend this album for musiconhold : Smooth Jazz #4 (#RFM1295) .
But if you're interested in the musical genre we feel is behind the dethroning of smooth jazz, download royalty free music that is the lush, minimalistic electronic soundscapes composed by Juan Sanchez on Ambient/Chill (#SCUND01) .
-Mike Bielenberg
February 2, 2009
Hold On To Your Customers
We've been improving the quality of the search metadata on our site to help you find and download royalty free music faster than ever. In the process I came across four hidden gems in our royalty-free music catalog that I think would be great music on hold :Corporate Climate 1 (#RFM101413)
Farther Jam Blues 09 (#RFM114055)
As composer Stephen Bashaw clearly knew, quality hold music needs to keep a positive vibe, not put the caller to sleep and not challenge the listener's musical boundaries. Let's face it, being on hold is a much different state of mind than sitting in the audience at a film festival.
-Mike Bielenberg
January 23, 2009
The Clash Over Cash
I've read about big artists suing their labels over royalty problems with subscription sites like yours. If I subscribe to www.RoyaltyFreeMusic.com , should I worry about tracks going away?Shelly, WY
You're absolutely right about bands clashing with their labels. The Allman Brothers, for example, are suing Universal Music Group for $13 million claiming 'refusal to pay plaintiffs at the correct royalty rate for its digital exploitation of the Capricorn Masters'. And just wait 'til Phil Spector's lawyers to get that whole murder trail thing off their plate and need to cover the bill. Watch out! Anyhoo, your RoyaltyFreeMusic tracks are safe from such tomfoolery because we own our copyrights outright. That gives us complete control over our royalty free music content (12,000 tracks/12,000 sound effects) so we can cut out the red tape and give you an absolutely gigantic palette of musical options…and the wonderful ability to download royalty free music worry free.
January 16, 2009
Groovin' to Our Guitar Heroes
You guys listen to royalty free music day in and day out. What kind of music are you into personally?Todd, TX
Darn thoughtful of you to ask, Todd. Especially with you being imaginary and all. Here's the breakdown. This is not music royalty-free , mind you. Just our favorite bands from major and indie labels:
Linkin Park (Gerren), Jack Johnson (Holly), One Republic (Mike), the MashCats (Alex's original band), Jamiroqui (Hector), Tay Zonday's 'Chocolate Rain ' (Taylor), James Taylor ( Angelo) and Graham Day and Gaolers (Emily).
*I can't resist sharing this musical film clip, directed by Julie Dash. It originally aired on HBO and is simply impossible to describe:
http://www.youtube.com/watch?v=jUlH1iDMg3Y
January 9, 2009
Don't Be the Bearer of Errors
I've heard that major media companies won't work with my post-production company without an Errors and Omission policy in place. Why does that matter if I'm a post house?Luke, CA
It only matters if you're involved with the film at a higher level than just post work, Luke. 'Most major film distributors won't distribute a movie unless the primary production company has at least 10 years of E&O coverage in place.', says Randy Frankel of Frankel & Associates , California's largest provider of production insurance . 'We usually provide that coverage in the form of a 3 year policy that comes with 7 years of what's called 'rights endorsement' coverage. That makes sure that if someone sees the film on DVD 5 years later and says, 'Hey! They used my song without my permission', the distributors' legal costs are covered.' Frankel went on to add that companies doing just a small portion of the post work on a film can sometimes avoid the need for an E&O policy by requesting that their name simply be added to the production company's policy. 'Not many post production companies know that.', Frankel said.
Be sure to check out one of the best royalty free music rock CDs we've released in a long time: Alternative Rock 10( #SCROC10) . It's fresh-out-of-the-oven feel good rock.








